Monologue/dialogue II
Extract
In June, July and August 2006 the
British Council launched a major visual arts event in
Seven of us were invited to
participate in a residency in
As a group of artists it soon became clear that there was plenty of overlap in our world views. The serious dialogue was laced by the amusing exchange of discussion and gossip when we sat down for a meal with spicy exquisite food and was further proof of the international exchange and language that art has become.
The subtle art world in Thailand of which these three Thai artists are leading participants, is an example of how even when cultures are being projected along a rapid path of change they can attempt to find a balance between their own sense of place, history and purpose while being active and creative in the international forward looking dialogue. Naturally this dual way of operating brings to the surface many interesting contradictions.
Having previous experience of Thailand,
it was a great pleasure in watching my fellow British artists join me in
revelling in and marvelling at the quite spectacular and richly diverse
super-modern city that is 21st Century Bangkok with it's muggy heat,
the downpours of monsoon rain, the skyscrapers next to old buildings and
temples, the Chao Phraya River and the dense markets. There are some places
that are irresistible and the city of
Monologue/Dialogue II brings the
same artists to
Andrew Stahl
February 2008

